Tuesday, December 3, 2019

Margaret Atwood Essays (2558 words) - Margaret Atwood,

Margaret Atwood Margaret Atwood is a widely recognized literary figure, especially known for her themes of feminism. Her novels, including Alias Grace and The Handmaids Tale are widely known for their feminist subject matter, and one finds the same powerful themes within her poetry. Judy Klemesrud, in her article for The New York Times, once made the wise acknowledgement that People follow her on the streets and in stores, seeking autographs and wanting to discuss the characters in her novels- most of whom are intelligent, self-absorbed modern women searching for identity. These women also suffer greatly, and as a result, some Canadian critics have dubbed her the high priestess of angst(March 28, 1982). Indeed, Margaret Atwood has a talent for the conscience feministic perspective, and the tone of much of her work seems to indicate her sense of political responsibility. Her poem Spelling, for example, is a testament to the power of words and it depicts the victimization of powerlessness of women wit hout language. Atwood describes her daughter on the floor, learning how to spell for the first time, and then leads the reader through a history of persecuted, helpless women. For instance, Atwood depicts the woman caught in the war/ (803). Such disturbing portrayals of women have earned Atwood the reputation as a daring feminist. Yet it is important to recognize that her poetry is not just about feminist themes, it is also an exploration into the depths of human consciousness and loneliness. This consciousness, paired with her curiosities about the power of language, is seen in many of her poetic themes. Atwood focuses on different literary and artistic genres in her poetry, ranging from postcards to photographs to magazine depictions of love, in order to explore human connections. Although much of her work may seem fearlessly feministic, in the sense that it brings explores female condition without reserve or embarrassment, Atwoods poetry probes into a genderless consciousness to explore feelings of human connectionedness and painful separations. The first poem that will be examined in this paper is Variations on the Word Sleep. The narrator of the poem immediately addresses their conscience need to connect with the other person, and they also recognize the hopelessness of this goal: I would like to watch you sleeping, / which may not happen. The opening to the poem, as we see here, could be considered typical of Atwoods writing in the sense that one person longs to bond with another, and recognizes the difficulty. It is this type of vulnerability that we have come to expect in Margaret Atwood's writings, because as with many feminist writings, we are aware of the power struggle between men and women, and even between women. But this poem refrains from identifying sexes; it only discusses a deeply internal need of one person for another, who is on a journey through he dark maze of their consciousness. The first stanza evolves from a simple plea from the genderless speaker to watch their lover sleep, to a deeper, spiritual nee d. Atwood chooses to remain ambiguous in this respect, which helps a wider audience identify with the work. The poem also has merit because within seven short, simplistic lines we glide from a gentle longing to a love complex and intense, with two minds merging together in a dream: I would like to watch you, / sleeping. I would like to sleep/ with you, to enter/ your sleep as its smooth dark wave/ slides over my head. The action of the poem continues to evolve as Atwood carries the reader through what appears to be a lovers dream or fantasy. The narrator at first wishes only to watch their lover sleep, then they desire to enter the same sleep with them, then they envision themselves descending through the layers of consciousness. As the reader follows along with the admiring narrator and his or her companion, they become increasingly aware of the narrators need for transcendence. Atwood uses words that help guide us along the action, such as watch, enter, over, descend, follow, and become. All of these words are effective in making the reader feel as if

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